last nightMOVIE REVIEW |
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6 HOURS LEFT LAST NIGHT opens with only six hours until the world ends and moves between 6 different stories. The dysfunctional family: Patrick just wants everyone to leave him alone, so he can die at midnight, isolated in his apartment. After watching his family in action, this made complete sense to me. As Patrick, Don McKellar is a triple threat - he not only played the leading role, he also wrote and directed the film. The manager of the power company, Duncan (David Cronenberg: Actor - NIGHTBREED, RESURRECTION. Director - SHIVERS, RABID, SCANNERS, VIDEODROME, THE FLY [1986], eXistenZ), remains at the station, calling every customer to kindly, calmly assure them their power will remain on until The End: Reasonably stating his commitment to his clients, to the very end. Meanwhile, one lone, introverted, diligent employee, Donna (Tracy Wright - THE FIVE SENSES, MONKEY WARFARE), stays behind to man a computer. As the only 2 people still working, they finally open up a little. Deliciously, some secrets remain hidden until the end of the film. Sandra (Sandra Oh - HARD CANDY) tries to get back across town to her husband, for one last meal, and to fulfill a pact. Once again, she demonstrates how wonderfully she plays desperate, smart characters, with emotions carefully bottled inside for as long as possible. Craig (Callum Keith Rennie - eXistenZ, MEMENTO, PAYCHECK, THE BUTTERFLY EFFECT, BLADE: TRINITY, THE X-FILES: I WANT TO BELIEVE) works hard to fulfill every sexual fantasy he ever had. He's got quite a list, written in a most interesting place.
Everyone on earth is desperately trying to fulfill their last wish, while dealing with a world falling apart and their own mortality. They have just 6 hours to do it. A lot can change in just 6 hours. Although I knew the ultimate ending, I felt a growing tension as the film rolled on. I didn't know where the characters would end up, or how they'd end up. This was due not only to my curiosity, but a seriously skilled crew. The art direction by Kei Ng and set decoration by Patricia Cuccia (INNOCENTS) clearly showed the emotion of the characters in each scene. Characters fighting for control through normalcy, service, isolation, sex, loyalty, or family. Ng also showed the opposite extreme - abandonment to chaos, vandalism, people, and insanity. Every set clearly showed that things aren't quite right. Creepy, but in a way I couldn't quite place. Perfect! Costumes by Lea Carlson (HIDDEN AGENDA, GINGER SNAPS) and the hair & makeup folks did a wonderful job of people trying to look normal in a deeply unusual situation. Something’s a little off. Something needs fixing. Not enough to distract. Just… unsettling. My one complaint is that some scenes lingered a little too long for my taste. I prefer movies to move along a bit quicker. It could have been a smidge tighter in the writing, performance, and editing. Some of the pauses weren't earned and carried on too long. However, it was clearly the exact pace Don wanted. I don't know any other disaster film that centers around the people - not the actual cause behind the event. Brilliant! It's delightful to discover that some characters (even though they never share a scene), are related to each other in surprising ways. When this happens, those connected, and their situations take on a whole new depth. 4 Shriek Girls
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