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E.C.McMullen Jr.
Right To Die
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SHOULD YOU?
TIP JAR
RIGHT TO DIE - 2005
Nice Guy Productions / IDT Entertainment / Anchor Bay Entertainment
Rating: N/A
FeoNote: If this was a theatrical release, it would likely get an R for nudity, sex, violence, and foul language

Season 2, Episode 9

Writer John Esposito (GRAVEYARD SHIFT, TALE OF THE MUMMY) and Director Rob Schmidt (WRONG TURN) take their bow in Masters of Horror and come up with a surprisingly clean Horror Thriller movie.

And by clean I mean that, while it is laced with "Social Commentary", it doesn't have that heavy-handed preachy smug sense of empty self-satisfaction that is found in a few of these Masters of Horror episodes that take their ignorance a little too seriously.

Oh, and Esposito and Schmidt remembered that, first and foremost, they are making a Horror movie.

What helps RIGHT TO DIE stand out from many of the Masters of Horror episodes that want to make a social or political point, is that the characters are well written and multi-faceted. Most important, the colks behind this episode remembered that they are making a Horror movie first.

Cliff Addison (Martin Donovan: INSOMNIA, THE VISITATION, WIND CHILL) and his wife Abbey (Julia Anderson) are driving at night and Cliff is telling Abbey how much he loves her. So naturally they get into a car accident in no time. From now on, the obvious is out of the way. Abbey winds up burned on over 95% of her body and wavers between life and death. Cliff sees the horrible pain that Abbey is in, is told that she is in a coma from which she may never recover, and Dr. Loring (Anna Galvin), her physician has even worse news. So Cliff decides to have the plug pulled. But the hospital cannot do that unless Cliff goes to court first to verify that he has legal guardianship over his wife.

No problem, right?

No, because Abbey's Mom, Pam (Linda Sorenson: STONE COLD DEAD, CLASS OF 1984, WHISPERS, RELATIVE FEAR) suddenly despises Cliff for wanting to kill her daughter. As it turns out, its all over the news that the airbag on Abbey's side didn't work.

Meaning lawsuit.

Meaning millions of dollars.

Cliff consults his friend and lawyer, Ira (Corbin Bernson: KING KONG [1976], SHATTERED, THE DENTIST [all], TALES FROM THE HOOD, KILLER INSTINCT, FANGS, RAPTOR). HA! A lawyer named Ira! What ARRRR the odds? Corbin dusts off his Arnie Becker character from his L.A. Law days, and goes about sleazing and oozing slime as he tries to console Cliff.

Cliff takes a long hot bath as he tries to come to terms with his grief. Unbeknownst to him, Abbey dies back at the hospital. Suddenly Cliff is confronted with a full normal, naked, and sexually hungry Abbey in his tub. Unbelieving but in the presence of the woman he loves, they have sex, and things fall apart. Literally. Back at the hospital, Abbey is forced back alive by the staff and the burnt Abbey in Cliff's bath disappears. But why would Abbey want to harm her loving husband?

Nearly every major character in Esposito's script is flawed or even damaged, but only a few really get what they got coming to them. Some have bad things happen even though they don't deserve it. Oh well.

It is said that burn treatment is the worst pain a human being can possibly live through and Schmidt visually etches Abbey's pain onto the screen.

There is far more to the story than first meets the eye in RIGHT TO DIE and Schmidt and Esposito ruthlessly attack both sides in one of the most skin crawling episodes ever created for Masters of Horror.

Four Shriek Girls.

Shriek GirlShriek GirlShriek GirlShriek Girl
This review copyright 2007 E.C.McMullen Jr.

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