John Findley's
TEX ARCANA
COMIC BOOK REVIEW

		Review by E.C. McMullen Jr.
FIGHT CENSORSHIP SUPPORT CBLDF TEX ARCANA - 1999 Writer/Artist: John Findley Booksurge Publishing

Back in the late 1970s and on into the 1980s, there was a monthly magazine called Heavy Metal. A U.S. version of the wonderful French magazine Metal Hurlant (Screaming Metal), HM took stories from artists from around the world and translated them, with more and less success, to English. It became wildly successful. So successful in fact, that it spawned a movie that tanked and a movie soundtrack that soared.

Then Editor-In-Chief, Julie Simmons-Lynch (daughter of HM magazines co-founder, Matty Simmons), hired a clumnist and editor (for reasons still never adequately explained) who didn't like the magazine's format. He felt that the magazine should be more focused on music, or more specific, the obscure particular bands he liked. He scaled such bands with their popularity: The less audience they had, the more he adored them - unless they were Heavy Metal bands - he didn't like Heavy Metal Music.

Over the months, little by little, he cut back on the buying of comics and stories, and replaced them with reviews and interviews of the most obscure hipster bands he could find. He openly assumed that the more obscure and college radio they were, the cooler he was (Truthfully, I hooked into one of these obscurities: Canadian musician, Nash the Slash, who I enjoyed to the point of buying every tape or album he released - which wasn't many).

This second-in-command editor also bought cartoons drawn about him and what a narcissistically fun tyrant he was. Then he published interviews with the magazine artists, that attracted HM's largest audience, and mocked their talents. Obviously within a very short time the magazine sank. Hipster got fired and went down blaming everyone but his visionary self (he even, for no earthly reason, shit on Richard Corben as an artist and a person! WTF?!?).

Heavy Metal could no longer make it as a monthly and only stayed afloat as a quarterly. It was during this period, when Heavy Metal readers were leaving in droves, that some artists remained to hang on and finish some of the better graphic stories within.

Many jewels were lost along the journey.

One of these was writer and artist, John FIndley's TEX ARCANA.

TEX ARCANA, written and drawn by John Findley, was clear cut, make no mistake, Horror. It took the tired tropes of Vampires and gave them new life.

How?

Findley made use of his artistic skills to present a vampire that was not simply evil, but the very nature of evil. Demonic faces and spirits danced all around him, in him, and through him, at every moment. This vampire was more than just an undead human, he was an elemental force. What's more, it colored how this Vampire saw the world. Every human he saw was aswirl in their own life force, strong or weak though that may be.

Yes humans, both weak and strong, are curious creatures. They have their own system of beliefs and faith and some faiths are replaced by others over time. Such is the American Southwest town of Hangman's Corners. When a vampire comes to town nd mkes its presence known, the townsfolk, all deadly serious about confronting and overpowering the new threat, each have their own ideas of what will and what won't work. And where you have disagreements, you have fights: out of this the comedy is born.

John Findley, very cleverly, presents TEX ARCANA as Comedic Horror. At the beginning of the first story (there are three and a fourth one in the works) this is done without 2D slapstick characters or specific idiots who are there only as comedic relief. He fully fleshes the townsfolk of Hangman's Corners out and then brings humor to the situation by demonstrating the ridiculous manner of our natural interactions that is the human condition.

As good as the story is, the art is perfection to match. Done entirely in incredibly detailed black ink drawings, the art invokes the spirit of the old west - every face reminiscent of the style of drawing found in wanted posters of the time. As the story progresses, Findley introduces two new characters, both demons from hell, as the requisite comic relief from teh other side. When they get trapped on earth, however,shorn of their powers, they turn philosophical and start pondering the meaning of existence, at least as seen from the eyes of a demon.

Such is Findley's storytelling ability that its dang near impossible to figure out where the story will twist or turn next. Findley throws out all the old vampire tropes. Yes, the vampire falls in love with the food, but, having been drained of too much of her blood, his chosen paramour is too drowsy to fully understand his desires or return his love.

Right at the point where it looks like the bad guys are about to win and everything seems hopeless, into the story rides (walks? I think he just materializes!) that mysterious, legendary figure:

Tex Arcana!

Only Tex has the intimate knowledge of the supernatural to set the wrongs to right and adjust the multi-dimensional playing field.

At least I think he does. Maybe he's just a willing puppet and the person pulling the strings is really his lover, a witch woman of indeterminate age who speaks a language that's derstandable (as opposed to UNderstandable, capiche?). Then again, maybe someone provides HER power!

Lush pencil and ink artwork, a solid (yet never pedantic) grip on historical accuracy, the comedy of human error, plus all kinds of things that go Bump In The Night, yer gonna love this stuff I'm telling ya!

Bizarre and intelligent, in TEX ARCANA, John Findley has mastered the ethos of American myth.

5 Rabid Fanboys: This one is a classic.

This review copyright 2002 E.C.McMullen Jr.

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