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A SIERRA NEVADA
(MICHAEL MADSEN & JOHN SAVAGE).
Watch the extras first! Got it? Good, because it's important.
SHARK was directed by Samuel Fuller (PICK-UP ON SOUTH STREET, SHOCK CORRIDOR, THE NAKED KISS, THE BIG RED ONE) and written by Mr. Fuller and John Kingsbridge, based on the novel HIS BONES ARE CORAL by Victor Canning.
The story opens with a scuba diver doing some work on a sunken ship. He doesn't get much work done because a sizable shark shows up and gives chase and that's it for the scuba diver.
We cut to the distraught mother of the scuba diver being given condolences and cash by Anna (Silvia Pinal: lots of Mexican movies). She and her husband Professor Mallare (Barry Sullivan: DEMON PLANET, HOW TO STEAL THE WORLD, NIGHT GALLERY [TV], EARTHQUAKE) had apparently hired the diver and now they need a replacement.
Meanwhile, a gunrunner named Caine (Burt Reynolds: SKULDUGGERY, DELIVERANCE, WHITE LIGHTNING, GATOR) has some trouble with the Sudanese border guards and ends up having to hitchhike to the small village on the Red Sea coast where the story takes place. He's broke and looking for a way out of town, which makes him the perfect assistant.
He's also trouble, which local cop Inspector Barok (Enrique Lucero: THE EVIL THAT MEN DO, GREEN ICE, THE OCTAGON, BLOODY MARY, THE LONG GOODBYE) smells right away. But this doesn't stop the morally flexible Mallare couple from hiring him. Anna even romances him into taking the job, which hardly seemed necessary given how desperate he was.
A few other quirky characters add to the intrigue, including the broken down alcoholic doctor (Arthur Kennedy: CYCLONE, THE SENTINEL, CRAWLSPACE [TV], FANTASTIC VOYAGE) and the cigar smoking street kid (Carlos Barry).
So now it becomes a question of who will double cross whom as the Mallares and Caine take a boat out to a particular spot on the Red Sea where a ship called The Victoria is on the bottom. Why are they so interested? What's on that ship? Will Barok arrest Caine before he can find out?
All of that are excellent ingredients for a suspense/thriller and we do get a taste of that now and then. But it's hard to get into it because this movie is so poorly made. Bad lighting, bad sound and bad editing cause serious distractions, even for fans of low budget B movies like me.
Now before I go on I want to make sure that you know something about director Sam Fuller. This guy is a hero among fans of B movies and seriously pushed the envelope about what you could talk about on film (see SHOCK CORRIDOR especially if you want to see what I mean). He was also quite a character, starting out as a copy boy and then a reporter for a New York City tabloid in the 30's (the prostitutes and pickpockets he knew then feature prominently in his movies). He fought in WWII in the 1st Infantry Division (better known as the Big Red One) and afterwards became first a writer and then a director.
The extras on the DVD for SHARK include interviews with two different authors of books about Fuller who recount what he had to say about making this movie. It came at a time when he wasn't being offered much work (for a variety of reasons) and he was reluctant to take it because the producers (Mark Cooper and Skip Steloff) didn't strike him as especially competent. In describing the experience of making SHARK, Fuller said, "Just like every descent into Hell, it started out gloriously."
The version of this film (originally titled CAINE - the main character's name) edited by Fuller was very different from what you'll see if you watch the DVD. These same producers made quite a few changes that ruined it as far as Fuller was concerned who, at one point, wanted his name taken off the movie. That original version is long lost and even this flawed version almost was, but for the intervention of Troma Studios. Lloyd Kaufmann, creator of Troma's TOXIC AVENGER and a big Fuller fan, bought the rights to the film and made this DVD. Kaufmann also appears in many of the extras.
This is a bad movie made by a great director. I believe it's bad through no fault of the director, which is why I wanted you to watch the extras first. I wanted you to understand the circumstances. If you're a fan of Fuller you can certainly spot his touch here and there and it is worth seeing for that alone. But realistically I can only give it a two on the shriek girl scale.