- 2002
USA Release: June 27, 2003
British Film Council / Canal+ / DNA Films / Figment Films / Fox Searchlight Pictures / 20th Century Fox
Rating: Australia: MA / Finland: K-18 / France: -16 / Germany, Norway, UK: 18 / Netherlands: 16 / Sweden: 15 / USA: R
Odd title. I almost skipped it because I assumed it was a sequel to that Sandra Bullock movie (you know, the one that sucked). It's not. Very much not.
This movie was directed by Danny Boyle and written by Alex Garland. It opens with newsreel footage of violence and riots and the terrible things we do to
each other when our barely suppressed streak of barbarism shows itself.
But then we see that these images are being viewed by a chimp in some
kind of bizarre lab. The poor primate is strapped in place and has wires
in his skull. Other chimpanzees are in nearby cages, but not for long.
Animal activists arrive on a mission to free these experimental subjects.
I always knew it would be those meddling do-gooders that killed us all. Despite
desperate warnings from a lab tech, the rainbow warriors free what turn
out to be infected chimps. The most immediate symptom of the infection is homicidal rage.
This is bad, M'KAY?
Cut to a black screen. The words "28 days later" appear in the
corner. Then we see a naked man wake up in a hospital bed. He is confused
and staggers into the hall. No one is around and no one responds to his
calls. The hospital is a mess. Where is everyone?
And more to the point, why don't all directors know how to do this? This
is how you start a movie! No boring exposition, just jump right in. Show,
don't tell, just like they say on the first page of every screenwriting
book ever written. We don't need to find out this lone survivor's
life story to want to know what's going to happen to him. The situation speaks for itself.
The man is Jim (Cillian Murphy) and we eventually
find out that he was a bike messenger. A car hit him and he's been
unconscious for weeks and apparently missed the end of the world. He wanders
the streets of an uninhabited London searching for food among the wreckage.
Only London isn't uninhabited exactly. Jim does meet a few people in a
church, but they aren't there to pray. These red-eyed crazies are
enraged by the site of the uninfected Jim and the chase is on. Only the
well-timed meeting of a couple more uninfected folks allows Jim to survive.
His new friends are Selena (Naomie Harris) and Mark (Noah Huntley: EVENT HORIZON, MEGIDDO: The Omega Code 2). "I have some bad news," says Mark
as he explains to Jim what happened. This infection spread rapidly across
the country. Just before the TV stopped broadcasting there were reports
of infected people in Paris and New York so as far as they know the whole world is like this.
The infection doesn't kill you. Instead it turns you into a raving murderer, red-eyed
and slobbering and puking infected blood. Thus even if someone survives
your attack all it takes is a drop of your blood or saliva in their mouth or an open wound to make them like you (Well they won't "like you" per se. We mean that they will be infected and nutso, same as you -Feo). The infection sets in fast, taking less than thirty seconds to do its job.
Imagine an infected person running wild in a crowded city. Anyone trying to subdue
them would stand a good chance of getting infected too. It would spread
fast and civilization would disintegrate in an orgy of violence. But is such a thing possible?
The only way to answer that is with a
!!!SCIENCE MOMENT!!!: At first I thought the fast acting nature of the infection was a bit contrived
but the more I thought about this, the easier it turns out to be. Consider
that there are many drugs (and poisons) that can have an almost immediate effect on reaching your blood stream. Now imagine such a fast-acting drug that turns you into an enraged monster (maybe a variation on PCP). It is probably within our technological ability to genetically engineer an existing bacterium to manufacture this drug.
Jim insists on checking on his parents with predictable but sadly beautiful results. Eventually his companions include Frank (Brendan Gleeson: MISSION IMPOSSIBLE II, LAKE PLACID, THE TAILOR OF PANAMA, DARK BLUE) and his daughter Hannah (Megan Burns).
Frank has heard a radio broadcast that gives directions to an army base
and instructs all uninfected to get there and they'll be safe. But
the broadcast is a looped tape. When they get there what will they find?
This is a very cool movie, tight and expertly directed. The unusual camera style
adds to the gritty realism (though opinions will vary about that) and the characters are brave and flawed and worth
caring about. I give 28 DAYS LATER a four on the shriek girl scale.
This review copyright 2003 E.C.McMullen Jr.
OCTOBER 31, 2003 DVD UPDATE
The DVD includes an excellent "Making Of" featurette and the "alternate
ending". I'd heard this ending was downbeat and it is, but not as
much as I'd thought. It's actually only a slight variation on the theatrical
ending. I won't say anything more about it because that would be telling,
but the theatrical ending is definitely better.
There's also a storyboard for the "radical" alternate ending. This was
never filmed but the director and writer (Danny Boyle and Alex Garland) talk you through a series of drawings (and
act out several never-filmed scenes). This alternate ending is
also inferior to the actual theatrical ending and I'm glad they made the
choices they did, but it's still interesting to think about what the movie
would have been.
By the way, kudos to Boyle for realizing that their radical alternate ending had to
be abandoned because it was scientifically implausible (within
the framework of ideas established in the rest of the movie). If
only such concerns made more directors think twice.
TRIVIA
Director Danny Boyle and writer Alex Garland felt zombies were outdated, and they didn't find the concept believable. But in England, Danny and Alex had lived through UK diseases such as Madcow, Hoof-and-Mouth, as well as Anthrax and Bio-Terrorism scares. Both wanted a scientifically plausible disease that spread rapidly through the blood, like Ebola, and so Rage virus was born. IMDb/Trivia.
The modern idea of Zombies as SF Horror and not voodoo comes from George Romero's NIGHT OF THE LIVING DEAD films. George went on record as saying he was inspired by Richard Matheson's I AM LEGEND, which became the Vincent Price Movie, LAST MAN ON EARTH. Like 28 DAYS LATER, both story and movie were about infected, sickly humans infected with a man-made disease that gave them monstrous characteristics.
Though Romero claims to have been heavily influenced by Vincent Price's portrayal of THE LAST MAN ON EARTH (story by Richard Matheson) that movie was a reinvention of the Vampire, not zombie mythos. There are undead and then there are THE undead. Clearly a difference!
The zombie movies died out in the early 1980s after tons of exposure and overexposure from various Italian directors who couldn't pry their grip off the idea.
The idea of Science and Zombies came back from the dead with Capcom's
RESIDENT EVIL video game, one of the most popular video games ever
created. It has seen a slew of copy cat knock offs, most notably
the HOUSE OF THE DEAD video game, so well put together and popular
in its own right that the movie is in production while I'm writing this.
RESIDENT
EVIL the movie dropped the torch but it appears that 28
DAYS LATER is picking it up, and not a moment too soon, as Horror
writers are also re-visiting the world of SF/Zombies with surprising success.
ALL OF THAT SAID, Some folks still don't get that this is a movie about folks with the Rage virus and not about dead people come back to life. This is an Epidemic Horror movie. And yet, 28 DAYS LATER In One Minute In One Take is pretty cool.