|
Support This Site When You Buy My Books E.C. McMullen Jr. PERPETUAL BULLET "'Some People' ... may be the standout story in the book." - John Grant, Infinityplus E.C. McMullen Jr. WILLOW BLUE "'Willow Blue' will burrow under your skin and stay there long after you've put the book down." - Jeffrey Reddick, Creator of FINAL DESTINATION IN OTHER BOOKS E.C. McMullen Jr.'s short story CEDO LOOKED LIKE PEOPLE in the anthology FEAR THE REAPER "This Ray Bradbury-esque is one of the most memorable and one of the more original stories I've read in a long time." - Amazon Review HORROR 201: The Silver Scream Filmmaker's Guidebook featuring RAY BRADBURY, JOHN CARPENTER, WES CRAVEN, TOM HOLLAND, E.C. McMULLEN Jr., GEORGE A. ROMERO, and many more. Also IN CINEMA E.C. McMullen Jr. Head Production Designer MINE GAMES (Starring: JOSEPH CROSS, BRIANA EVIGAN, ALEX MERAZ) Production Designer UNIVERSAL DEAD (DOUG JONES, D.B. SWEENEY, GARY GRAHAM) |
Moonfog is currently splitting their releases between the forward-thinking black metal of SATYRICON, THORNS, and DODHEIMSGARD, and the regressive glories of KHOLD . . . and genre MVPs DARKTHRONE. Once thought extinct in the interim between TOTAL DEATH and RAVISHING GRIMNESS, the Norsemen return a year after Ravishing with PLAGUEWIELDER. While it will probably not change the minds of those whose interest in Darkthrone has waned since the underrated TOTAL DEATH, it is another excellent release for those of us who don't necessarily want another UNDER A FUNERAL MOON, but just want another DARKTHRONE album. Once again, the line-up consists of Nocturno Culto (vocals/guitar) and Fenriz (drums). RAVISHING GRIMNESS saw them performing in a more mid-paced HELLHAMMER range, with Fenriz enjoying his increased regression as a drummer. PLAGUEWIELDER finds him more animated, injecting several fast tempos in most songs as well as a lot of double bass. It's probably his most efficient performance since Panzerfaust. Nocturno continues with the riff sensibilities of Ravishing, but with a lot more double-picking (and a rather crazy riff in the chorus of "Command"). In other words it's DARKTHRONE within the parameters they established long ago, which were unique in their emergence in 1991, and in an increasingly electronic age of black metal, still are. Fenriz's lyrics have changed, more self-reflexive than the evil poetry for which he's reknowned. From "Sin Origin": RAVISHING GRIMNESS's theory that "Resistance is futile" gets reworked in "Command" to "Existence is futile." He remains an interesting lyric writer, and musician as well on the very old school "Sin Origin," his sole contribution to the songwriting. PLAGUEWIELDER offers six songs for 43 minutes, longer entries which trade between all-out thrash-tempos and unassuming mid-pacing. "Command" is one of the longest at eight minutes, and one of the best, with guest vocals by CADAVER INC.'s Apollyon, and Sverre Daehli (who played guitar on the AURA NOIR song "Released Damnation"). Finale "Wreak" opens with a faint resemblance to MAYHEM's "Pagan Fears," though ultimately unfolding in an entirely different way. As with RAVISHING GRIMNESS, the old school stylings of the album owe some influence (but mostly just inspiration) to HELLHAMMER, and while there is no shortage of bands who can lay claim to that, DARKTHRONE arrives at a solid conclusion that leaves you saying not "That was some great Hellhammer worship" but "That was definitely Darkthrone." No gothic accessibility, no trends, no clinical production, and no equal. 5 SKULLS This review copyright 2001 E.C.McMullen Jr.
|
|
Feo Amante's Horror Home Page, Feo Amante's Horror Thriller, and feoamante.com are owned and Copyright 1997 - 2020 by E.C.McMullen Jr. FAIR USE - PRIVACY POLICY - OWNERSHIP - CONTACT All images and text belong to E.C.McMullen Jr. unless otherwise noted. All fiction stories belong to their individual authors. |